“In front of the director’s office stands the performer Nadia Bekkers, who has the function of a doorwoman for the work “A reversed exclusion system” and lets people pass according to a system of terror that follows no logic. Just as people are selectively harassed by authorities because of their appearance, visitors now have to endure the seemingly arbitrary harassment if they want to see the hole with their own eyes.”
Fabian Schöneich
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This project was linked to the intervention
“The Hole might be on display” ︎
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Press Leakage
︎ The Hole’s journey - Afterthoughts - IFFR
︎ 2023: Ghita Skali et le trou du pouvoir - by Mariam El Ajraoui - Terss
︎ 2023: Yellow laugh - by Lena van Tijen - Mediakunst platform
︎ 2022: A story about the remarkable journey of two wooden slats - by Annosh Urbanke
︎ 2021: The hole's Journey - by Marko Stojiljković - Ubiquarian
︎ 2021: Artwork of the week : The Hole's Journey - by Anna van Leeuwen - De Volkskrant
︎ 2021: Intertwining art and activism across the Mediterranea- by Madeleine Collier - IFFR.
︎ 2020: After a two-year stay at De Ateliers - by Kees Keijer - Het Parool
︎The Hole might be on display - by Nadeche Remst - Metropolis M
︎ 2022: Aidsburgers, medical horoscopes and holes in the floor - by Suzanne Wallinga - Metropolis M
︎ 2022: Aidsburgers, medical horoscopes and holes in the floor - by Suzanne Wallinga - Metropolis M