Selected Articles
︎ 2023: Prix de Rome,for all ages - by Laura van den Bergh - Metropolis M
︎ 2024: L’art absurde du marché du travail - Tracks - Arte
︎ 2023: Black rocks, zombies and the suggestion of a rack - by Lucette ter Borg - NRC
︎ 2023: Prix de Rome at the Stedelijk - by Keis Keeijer - Het Parool
︎ 2023: The nominated works for Prix de Rome are sometimes too well thought - by Anna van Leeuwen - de Volksrant
︎ 2023: Les artistes réinventent les revues - by Kenza Sefrioui - La revue des revues
︎ 2023: Yellow laugh - by Lena van Tijen - Mediakunst platform
︎ 2023: Not even ChatGPT has a clue about how half the world population uses watering cans - by Anna van Leeuwen - De Volksrant
︎ 2023: Ghita Skali et le trou du pouvoir - by Mariam El Ajraoui - Terss
︎ 2023: Dead skin doesn't stink - by Persis Bekkering - Mister Motley
︎ 2023: Dead Skin Cash an ode to the skin, a social and political battleground - by Roos van der Lint - De Groene Amsterdamer
︎ 2023:What happens when your dead skin suddenly have value?- by Lisa Lotens - Vice nl
︎ 2022: A story about the remarkable journey of two wooden slats - by Annosh Urbanke
︎ 2022: Aidsburgers, medical horoscopes and holes in the floor - by Suzanne Wallinga - Metropolis M
︎ 2022: One raw material per artist - by Jasper Delva - Metropolis M
︎ 2021: Remake of a remake - by Fabienne Chiang - Stedelijk Studies
︎ 2021: The hole's Journey - by Marko Stojiljković - Ubiquarian
︎ 2021: Artwork of the week : The Hole's Journey - by Anna van Leeuwen - De Volkskrant
︎ 2021: Intertwining art and activism across the Mediterranea- by Madeleine Collier - IFFR.
︎ 2021: Antibodies and Oppositions - by Johanna Sluiter - Hyperallergic
︎ 2020: Import Expo - by Roxana Azimi - Le Monde Magazine
︎ 2020: After a two-year stay at De Ateliers - by Kees Keijer - Het Parool
︎ 2020: The Hole might be on display - by Nadeche Remst - Metropolis M
︎ 2020: Sunflower seeds are or the birds and the public - by Maarten Buser - Metropolis M
︎ 2020: Banana distopias - by Cédric Fauq
︎ 2018: Glissements progressifs de la réalité - by Pedros Morais - Le Quotidien de l'art
︎ 2018: Die Frau hat Power - by Sigrid Radermacher - Rheinische Post ︎ English translation
︎ 2017: Das Spiel mit Den Fake News - by Sigrid Radermacher - Rheinische Post
︎ 2017: Unser Stadtteil heißt nach einem Schokoriegel – Geschichtensammlerin - Focus Online
︎ 2017: Die neue Atelierstipendiatin sammelt Geschichten - by Inge Schnettler - Rheinische Post
︎ 2017: Palm Attacks, quando l’arredo urbano e di plastica - by Giulia Zonca - La Stampa
︎ 2017: Catalogue of Salon de Montrouge - Text written by Chiara Parisi
︎ 2017: Bons baisers de Nilewood by Emmanuelle Outtier - DyptikMagazine #37