Selected Articles



︎ October 2023:  Prix de Rome 2023 - For all ages - review by Laura van den Bergh - Metropolis M

︎ October 2023: Black rocks, zombies and the suggestion of a rack for Prix de Rome - review by Lucette ter Borg - NRC

︎ October 2023: Prix de Rome at the Stedelijk- review by Keis Keeijer - Het Parool

︎ October 2023: “The nominated works for Prix de Rome are sometimes too well thought” - review by Anna van Leeuwen - de Volksrant

︎ September 2023: Yellow laugh - interview by Lena van Tijen - Mediakunst platform 

︎ June 2023: Not even ChatGPT has a clue about how half the world population uses watering cans - by Anna van Leeuwen - De Volksrant 

︎ March 2023: “Ghita Skali et le trou du pouvoir” - Interview by Mariam El Ajraoui - Terss

︎ February 2023: Dead skin doesn't stink” - by Persis Bekkering - Mister Motley 

︎ February 2023: Dead Skin Cash an ode to the skin, a social and political battleground - by Roos van der Lint - De Groene Amsterdamer 

︎ February 2023: What happens when your dead skin flakes, which you reproduce and shed as long as you live, suddenly have value?- by Lisa Lotens - Vice nl

︎ August 2022: A story about the remarkable journey of two wooden slats - Interview by Annosh Urbanke

︎ June 2022: Interview by Suzanne Wallinga - Metropolis M

︎ March 2022: One raw material per artist– Made in X, Kunsthal Extra City - written by Jasper Delva - Metropolis M

︎ December 2021: Remake of a remake- written by Fabienne Chiang - Stedelijk Studies

︎ February 2021: Review about the Hole's Journey - written by Marko Stojiljković - Ubiquarian

︎ February 2021: Artwork of the week : The Hole's Journey by Ghita Skali - article written by Anna van Leeuwen - De Volkskrant

︎ February 2021 : ntertwining art and activism across the Mediterranea- Interview with Madeleine Collier for IFFR.

︎ January 2021: Antibodies and Oppositions: Artwork That Addresses Our New Normal At the Palais de Tokyo - by Johanna Sluiter - Hyperallergic



︎December 2020 :  Import Expo - by Roxana Azimi for Le Monde Magazine

︎ September 2020 : Review - by Kees Keijer for Het Parool

︎ September 2020: The Hole might be on display  - by Nadeche Remst - Metropolis M

︎ March 2020 : Review - by Maarten Buser  - Metropolis M

︎ February 2020: Banana distopias - by Cédric Fauq for the Aware prize for women artists - English translation by Lucy Pons

︎ June 21, 2018: Glissements progressifs de la réalité - by Pedros Morais - Le Quotidien de l'art

︎ March 28, 2018 : Die Frau hat Power: Was seit Jahrzehnten in der Stadt diskutiert wird, hat Ghita Skali einfach gemacht. Die marokkanische Künstlerin hat die Oberstadt mit dem Museum Abteiberg verbunden. - by Sigrid Blomen-Radermacher - Rheinische Post
 English translation


︎ December 2, 2017 : Das Spiel mit Den Fake News - by Sigrid Blomen-Radermacher - Rheinische Post

︎ November 24, 2017 : Unser Stadtteil heißt nach einem Schokoriegel – Geschichtensammlerin - Focus Online

︎ November 24, 2017 : Die neue Atelierstipendiatin sammelt Geschichten - by Inge Schnettler - Rheinische Post

︎ September 21 , 2017 : Palm Attacks, quando l’arredo urbano e di plastica - by Giulia Zonca - La Stampa

︎ April 2017 : Catalogue of Salon de Montrouge - Text written by Chiara Parisi

︎ March 8, 2017 : Bons baisers de Nilewood by Emmanuelle Outtier - DyptikMagazine #37